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Season 2013/14 Watch this space for details of the 2013-14 season. Details will be published HERE first! - Bookmark This Page
The Dussek Duo has arrived....two hundred years too late, perhaps, as both instrumentalists are playing French instruments from the turn of the 19th century! However, early keyboard specialist and harpist Eleanor Turner are both very much alive and full of zest for the music of the 1800s. Douglas Hollick has spent his life with early keyboard instruments – as a maker and restorer, and as an internationally acclaimed player of organ, harpsichord and fortepiano. His instrument collection includes two English pianos – a square of 1811 by Clementi, and a grand of 1809 by Broadwood. Recently, Douglas aquired a beautiful golden Erard harp from around 1800, one of the first ever double-action pedal harps (the type of concert harp that is still made and played today). It has been carefully restored by Tecwyn Jones of North Wales and is in excellent playing condition. It even has working shutters at the back of the soundboard that can not only add resonance or create a dampened effect (depending on whether they are open or shut, as operated by an eighth pedal!) but by wobbling the pedal, the shutters wobble and create a stunning vibrato that was used at the time! The quality and beauty of the instruments coupled with a varied, virtuosic repertoire for harp and piano duo, make for a really enjoyable and exciting collaboration between Douglas and Eleanor. They are performing together in concert from 2011 and are currently rehearsing repertoire by Jan Ladislav Dussek, Francois Joseph Naderman, Dalvimare, Mozart, CPE Bach and others. The pair have recently recorded a CD that will be released by River Run Records in 2011. Ensemble MembersBorn in Bath in 1986, Danielle Jałowiecka began studying the recorder at the age of eight. After winning the Bath Young Musician of the Year As a soloist, Danielle has taken part in masterclasses with such renowned teachers as Walter van Hauwe, Dan Laurin and Paul Leenhouts, opened the Bath International Music Festival as the soloist with the Bath Philharmonia, and recorded Benjamin Thorn’s ‘The Voice of the Crocodile’ for ABC Classic FM in Australia. Danielle has also discovered a recent interest in arranging and with her recorder quartet i Flautisti has premiered the performance of her work on ‘The Grease Megamix’. Kerstin Kubitschek was born in Schwaz, Tirol, Austria in 1983.
After completing her studies in London, she returned to the Mozarteum University where she studied recorder with Dorothee Oberlinger and earned a Masters Degree in Music. She has performed as a soloist and in various chamber music groups. Currently Kerstin Picker-Kubitschek is teaching recorder in Austria. She has participated in master classes with Dan Laurin, Matthias Maute, Reine-Marie Verhagen, Marion Verbruggen and others. Jitka Smutná is from Olomouc in the Czech Republic and studied recorder at the Conservatory in Ostrava with Jan Kvapil from 2005 to 2007.
Jitka regularly takes part in master classes given by world-class teachers (W.van Hauwa, P. Leenhouts, P. Holtslag, M. Posch, C. van Heerden, H. ter Schegget, R. Brown, E. Kirkby, T . Charlston ad.) and performs at concerts in the Czech Republic and abroad. Since 2009, she is the main organizer of the Summer School of Early Music in Prachatice and teaches recorder at the Conservatories in Ostrava and Olomouc, from the same year, she also acts as an instructor of the training program for teachers on the Brno Conservatory. Ilona Veselovská was born in Liberec, Czech Republic.
Ilona graduated from the Royal College of Music, London, in 2007 where she studied recorder and baroque flute with Ashley Solomon and Julien Feltrin on the Postgraduate Diploma course as the recipient of the Constant & Kit Lambert and Heddy Simpson awards. In 2009, Ilona studied baroque flute with Wilbert Hazelzet at the Royal Conservatory of the Hague. She is now teaching recorder at the Conservatory in Teplice, and the Academy of Early Music in Brno, Czech Republic. Increasingly in demand as a recitalist, concerto soloist and chamber musician, John Paul Ekins has given performances throughout the UK and Northern Ireland, and overseas in the Czech Republic, France, Germany, Italy, Kuwait, Norway, Poland, Romania, Spain and Switzerland, and he has been broadcast on the BBC, on Romanian national television and radio, and on Polish television. In 2009 he graduated from the Royal College of Music with First Class Honours, and in the same year he was awarded the James Anthony Horne Scholarship by the Guildhall School of Music and Drama to study with Charles Owen, where he graduated with Master of Performance (Distinction) in 2011. He was the recipient of a Music Education Award from the Musicians Benevolent Fund, and receives generous support from Making Music, The Concordia Foundation and The Keyboard Charitable Trust. British violinist Martyn Jackson was born 1988 and has performed as both a solo artist and chamber musician throughout the UK, much of Europe and the Middle East.The 2011-12 season has included performances of the Brahms, Mendelssohn, Stravinsky and Tchaikovsky Concertos as well as various recitals throughout Europe and chamber music performances with cellist Henri Demarquette in the Philharmonie, Konzerthaus Berlin and Les Invalides in Paris. In addition, this autumn he shall make his recital debut at the Southbank Centre's Purcell Room as part of the Martin Musical Scholarship Fund's Recital Scheme. Alison Rhind was educated at Chetham’s School of Music, Oxford University and the Guildhall School of Music where she studied with Edith Vogel. After leaving Guildhall she was invited back to Chetham’s to join the accompanists’ team at the school. During this period she was also asked to be the official accompanist for the BBC Young Musician of The Year and also for the Aberdeen Festival of Youth. From 1993 until 2006 she was the accompanist at the Yehudi Menuhin School where she accompanied masterclasses given by Yehudi Menuhin, Daniil Schafran, Janos Starker, Steven Isserlis, Mstislav Rostropovich and Andras Schiff amongst others. She toured extensively with Menuhin School pupils and it was during this period that she was first invited to accompany at the prestigious Kronberg Cello Festival in Germany. Alison is regularly invited to work at the Royal College of Music in London and was recently asked to be the official accompanist for the String Final Recitals. She is the regular accompanist of Nicola Benedetti with whom she has played for the last nine years and with whom she enjoys a busy touring schedule. 2006 took them twice to Japan, Europe and the USA, as well as many appearances in UK festivals and concert series. Other regular recital partners have included violinists Dora Schwarzberg and Alina Ibragimova, the great French bassist Francois Rabbath and cellist Leonid Gorokhov. She regularly appears on radio, television and major venues all over the world.
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